Our industry is constantly changing, as it has for more than 100 years, and the MPA is evolving with it. But the fundamentals hold true: audiences love great stories, well told – and the creative sector remains a pivotal force in driving economies, fueling job creation, enriching cultures, and connecting communities.

Our
History

In 1922, motion picture studios formed the organization now known as the Motion Picture Association to protect and support the nascent film industry. Since that time, the MPA has served as the voice and advocate of the film and television industry around the world, advancing the business and art of storytelling, protecting the creative and artistic freedoms of storytellers, and bringing entertainment and inspiration to audiences worldwide.

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1922

The Motion Picture Producers and Distributors of America (MPPDA) is founded and led by William Hays. A regulatory system, known as the Hays code, is developed to ensure the absence of “offensive material” and prevent government interference in filmmaking.

1945

The organization changes its name to The Motion Picture Association of America, reflecting increased popularity of american films overseas.

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1968

Alongside the progress of the civil rights, women’s rights, and labor movements, the film industry sought artistic freedoms and the removal of Hays Code’s strict limits on certain content. In response, then-MPA president Jack Valenti creates the film rating system we use today.

1975

The MPA establishes the Film Security Office to work closely with law enforcement officials and stem the growing threat of film piracy, which was estimated to cost the industry more than $100 million a year at the time.

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1993

The EMEA office of the MPA opened in Brussels. It represents the interests of the motion picture and television industry in legislative and regulatory issues at the European and National levels.

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2008

Facing increasing challenges from online content theft, the MPA, under CEO Dan Glickman, bolsters its global content protection team and successfully advocates for the Pro-IP Act, the first U.S. anti-piracy law enacted in the 21st Century.

2013

Like-minded organisations, federations and associations from the European cultural and creative sectors have form Creativity Works!,with the objective to kick-start an open and informed dialogue with EU policy-makers about the economic and cultural contribution made by creators and the cultural and creative sectors in the digital age.

 

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2017

The MPA joins dozens of entertainment companies to launch the Alliance for Creativity and Entertainment (ACE), a global coalition dedicated to protecting the dynamic legal market and reducing online piracy.

2018

Under Chairman and CEO Charles Rivkin, Netflix becomes the newest member of the MPA, joining Disney, Paramount, Sony Pictures, Universal, and Warner Bros. The addition of Netflix reflected the association’s increased focus on streaming services as the industry adapted to the viewing practices of modern audiences.

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2022

Chairman and CEO Charles Rivkin brings on Prime Video & Amazon MGM Studios as the MPA’s newest member.

What We Do

Humans tell stories—it’s what we do. Today, the stories that define our lives and shape our world are brought to life by the global creative community, including the creators and artists working in European film and television. The MPA fosters this economic and cultural enterprise by advocating for policies that recognize the power of our stories, reward creators, and allow us to produce, distribute, and protect the creative content audiences love.

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